I baked all samples on a ceramic tile inside of a covered foil pan. I baked these in a full size oven which has been checked for temperature accuracy. Premo White Translucent, 275☏ (135☌) for 30 minutes.Premo Translucent, 275☏ (135☌) for 30 minutes.Pardo Professional Art Clay, 250☏ (121☌) for 30 minutes.The brands of translucent polymer clay I tested, and the temperatures/times used were: All of the clay I used was recently purchased and appeared to be fresh, with the exception of the Cernit. I baked all brands according to the directions on the package (which I have to say don’t give the best results). The thick setting is about 1/8″ (3mm) and the thinnest is about the thickness of a playing card. I rolled sample sheets in the thickest setting (#1) on my Atlas pasta machine and the thinnest (#8) that I could make (the machine goes to a #9, but I’ve never had clay come through that alive). I conditioned each clay, carefully avoiding the introduction of bubbles. I compared every polymer clay brand’s translucent that I could find. For more info about working with translucent clays, check out the Translucent Clay FAQ.The less clear brands of translucent polymer clay work nicely for faux stone effects and to give a less chalky effect to your colors.The clearest translucent polymer clay brands work well for faux glass effects. Pardo has two types of clear translucent and they’re not the same.Pardo, however, becomes much more clear when baked hot and is remarkably heat tolerant with little browning.Most translucents will brown easily if your oven’s temperature is incorrect.Any translucent will be cloudy when thick, none are perfectly transparent.Fimo, Sculpey III, and Kato have translucent clays that are not very clear.Premo’s translucent polymer clays are quite clear, but have a beige color cast.Pardo and Cernit’s translucents are the most clear by far, and have little color cast.Each brand’s translucent clay has its own characteristics.What’s the Clearest Translucent Polymer Clay?
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The arena background art and unit animations look great, but you’re still mostly just fighting humans in small spaces.īy the halfway point in the campaign I saw almost everything the Dealer would throw at me. Attacks can either be blocked or evaded, and you’ll know which to use depending on if the attacking foe glows green or red.Įnemy types are fairly limited and largely unimpressive, from standard barbarians, soldiers, and ghouls to a few interesting things like giant ogres and fire-spewing grenadiers. Each weapon has a built-in special attack that can be activated after a certain number of combo hits, with more powerful weapons capable of stunning multiple enemies or delivering massive blows. Weapons come in multiple styles which are now designed to tackle specific enemy types, such as light weapons against thieves. When you happen upon enemies the strategic card layer shifts into a colorful third-person action brawler. The final battle has a neat twist (and thankfully nothing like the awful QTE slog the first game’s end boss was), but still ultimately came down to a standard combat arena.Ĭombat is unfortunately the least improved aspect of the sequel, despite still being a major focus of many challenges and cards. The finale presents its consequences based on how well you completed your companions’ storylines, kind of like Mass Effect 2. The last few challenges are a gauntlet of dungeon crawls as my team and I infiltrate a palace to embark on a little regicide. These moments made the world feel much more vibrant and interactive despite how much of it is text. Companions are also woven into other cards’ stories and frequently chime in during BioWare-style cutscenes. I would be surrounded by a dozen units while they politely engaged me one at a timeĬompanions’ stories are told through a series of companion-specific cards, compelling tales of heartbreak, betrayal, and redemption. On the card screen he can add an additional die to any dice rolls, which was often the difference between success and failure. Colbjorn the barbarian, for instance, can unleash an effective stunning charge in combat. Each is unique, wielding useful powers in combat and on the strategic layer. There are four in total, unlocked over the course of the game. Companion cards are one of Hand of Fate 2's best new features. Frequency Test Input Resistance: 1000 Gohm.Square Wave Signal Pulse Frequency: 0-15KHz.Allows you to test DC voltage, fixed frequency, predefined waveforms and hand drawn waveforms.Wave forms can be altered or made from scratch using nothing more than your finger tip and the screen.Contains an integrated library of standard waveforms.Allows the user to substitute known good waveforms for isolated elements that could not otherwise have been authenticated.You are also able to print out these results using the optional Wi Fi printer (included with the Euro Tab) or via a printer utility. The Sensorbox also comes with an in-built Multimeter function, which allows you to view voltage, resistance and frequency on its digital display. In addition to this function, the Sensor box also gives you the power to create and alter other types of signal parameters including coolant temperature, Mass Air flow, Injector, Throttle Position and many more. Using your finger, simply draw the desired waveform onto the Europad/ PAD 11 or Eurotab, press start and the Sensor box will produce your new waveform. If you require a variant waveform that too is no issue. If you suspect that your sensor is malfunctioning, all you need to do is use the Sensor box to simulate a suitable waveform and you will know within seconds whether or not there is an issue. The X431 Sensor box allows you to convert your X431 into a sensor simulator. For use in conjunction with the Launch Europad, PAD11 and Eurotab. Proceedings of the National Academy of Sciences, 118(30), e2100707117. Surviving winter on the Qinghai-Tibetan Plateau: Pikas suppress energy demands and exploit yak feces to survive winter. B., Wang, X., Zhang, L., Redman, P., Wang, L., Tang, G., Li, Y., Cui, J., Thomson, P. A cute little Pika - a common high altitude Himalayan rodent which resembles a rat but is known as a Mouse-hare and has features of both mice and hares. Low-elevation pika populations, however, are at high risk of climate change, particularly local warming and decreased precipitation ( see also Causes of Global Warming ). E., Hambly, C., Togo, J., Liu, X., Piertney, S. The American pika lives primarily at elevations between 8,000 and 13,000 feet, though it may be found at significantly lower elevations, including a little above sea level. They prefer cool and moist environments and thrive at. There are many different types of animals that look like rabbits. The main difference between the two animals is that the vizcacha is much larger, measuring up to 3 feet in length. It has long ears, big eyes, and a fluffy tail, just like a rabbit. R., Chi, Q., Ołdakowski, Ł., Fu, H., Fletcher, Q. One of my favorite little rodent like mammals, the American Pika, lives in the high alpine ecosystem. The vizcacha is a rodent that is native to South America. Now we know how far our furry friends are willing to go to make it! Results? During winter, pikas save up to THIRTY percent of their energy – by moving less to reduce their body temperature! This way, they only make special trips into the cold!īut what do pikas find to eat in their frozen habitat? Cameras revealed their shocking diet - YAK POOP-SICLES! Talk about “Fear Factor!” the later claim is clearly contravened by Smith and Foggin Lai and Smith Delibes-Mateos et al. They monitored the critters’ body temperature and metabolic rate to see how they weather the cold. pikas are lagomorphs, not rodents also dig and destroy vegetation causing many serious problems such as soil erosion, and reductions in livestock carrying capacity and ecosystem diversity n.b. But not the pika! What’s their secret?Įnter John Speakman from the Chinese Academy of Sciences and team! They filmed pikas living their best rodent lives for THIRTEEN years. Other small rodents from freezing places either get outta town or hibernate. BUT plateau life is no small feat! Temperatures can reach negative twenty degrees fahrenheit, and food becomes HARD to find. In the Qinghai-Tibetan plateau of Southeast Asia lives the plateau pika – a little rodent the length of a butter knife. They feed on all sorts of plant material. This is Sandra Tsing Loh with the Loh Down on Science. Pikas are diurnal and are active early and late in the day during hot weather. Instead, be patient and listen to what is being said in the arena in front of you rather than the arena in your head! Also pay close attention to the nonverbal signals the sender is giving! These will tell you important clues about how he/she feels about the conversation. It is important not to interrupt the sender when he or she is talking because this indicates that you are not that interested in what is being communicated. Wish they would shut up so I can get on with other things I want to ask”? Question 2 – How often do you think in your head “Let’s move on, I’ve got more questons to ask. It is very important to be aware of the non-verbal gestures and expressions we use because as they say, actions speak louder than words. Also, when we communicate we do so verbally and non-verbally. It’s not just about listening to WHAT is being said! HOW it is being said is equally and in many cases more important than what is being said. We often think we are listening, when actually, the truth is that we are not, or if we are, we are doing so in a very superficial way. Question 1 – How often do you pay attention to how something is being said and the body language someone is expressing on top of what is being said?Īctive listening involves a few, simple skills that really go a long way to communicate to the sender of the message that we really are listening. Non-verbal skills encouraging the story (nodding head, raising eyebrows etc).Wait-time (letting people speak and being present in that moment).There are four specific skill areas that can help us to develop our ability to listen attentively: At tentive listening is both active and highly skilled. And you can both teach and learn ANY skill if you practice it again and again. However, if you listen consciously, you will live more fully!īut remember, listening is a skill. Listening is difficult because it involves suppressing your ego long enough to consider what is being said before you respond. This listening is that which will facilitate the patient’s telling of his tale, the telling that can set him free. I do not mean that he can simply hear the other, but that he will listen actively and purposefully, responding with the instrument of his trade that is, with the personal vulnerability of his own trembling self. Kopp writes: The therapist can interpret, advise, provide the emotional acceptance and support that nurtures personal growth, and above all, he can listen. As a communication technique, it is used in many professional settings but is also valuable for everyday life.Īs Sheldon B. Adler writes in How to Speak, How to Listen: We all realize that the ability to read requires training…the same would appear to be true of speaking and listening … training is required … Likewise, skill in listening is either a native gift or it must be acquired by training.Īctive listening is a technique for developing our ability to listen. And yet most of us haven’t thought about how we listen.Īs Mortimer J. Listening is one of the foundations of society – it is what enables us to form meaningful relationships and connections. Among other things, we need to comprehend what’s being said and why, reflect on intentions, and consider non-verbal communication. We assume that, as long as we can hear someone and understand their words that we are listening. There is a difference between hearing and listening. One of the main reasons this breakdown in communication occurs is that listening (like reading, thinking clearly and focusing) is a skill which we rarely consider to be something requiring knowledge and practice. Toddlers scream about it, teenagers move out, couples split up, companies breakdown. The sense that we are not being listened to is one of the most frustrating feelings imaginable. People want more than physical presence in human communication they want the other person to be present psychologically, socially and emotionally. What people look for in attending and listening is not the other person’s ability to repeat their words. Yet as Egan (1990) says in “The Skilled Helper”: How many times have you heard someone exclaim, “You’re not listening to what I’m saying!” When the person accused of not listening answers, “I am too I can repeat everything you’ve said”, the accuser is not comforted. Listening is often equated with “sitting and doing nothing”, a passive rather than active approach. |